A sculptural ceramic object with an elongated, tensioned form. Hand-built with a focus on balance between mass, line, and direction.
The surface combines rough and smooth areas, preserving traces of the making process. Only natural pigments are used, forming a restrained, earth-toned palette. The contrast between the exterior surface and the lighter interior emphasizes depth and material presence.
Tempel–Tuttle exists between function and sculpture. It is conceived as an independent object for interior spaces where presence, silence, and open interpretation are essential.